Scarborough Symphony Orchestra

Last Saturday I drove up to Scarborough to play with Scarborough Symphony Orchestra.  My dad was free that day and so was able to accompany me and make a day of it, which was lovely.

Upon arrival I found the gates of the car park were padlocked – I guess that’s the reward for arriving early and in plenty of time.  I managed to find the caretaker and asked him to unlock the gates for me.  Once inside I then had the task of finding some guys to help heave my harp up the stairs into the main part of the church (Methodist Hall, Queen Street).

I saw several other freelancers that I know from other Yorkshire gigs, not surprisingly they all knew my dad who has done a lot of conducting in and around York over the past 40 years.

The concert began with Brigg Fair by Delius – the same piece that I played the week before in Lincolnshire – coincidence??? yea, probably.  Although this year would have been his 150th birthday if my maths is correct.  It’s a lovely piece.

This was followed by Vaughan Williams’ Concerto for Bass Tuba, played by Shaun Matthew – the conductor of the rest of the concert.  I’d never heard it before and tuba concertos (concerti?) are very rare.  It was as virtuosic as I’ve ever heard a tuba played and obviously showed great skill – what else would you expect from an ex-RNCM student?

After the interval was William Grant Still’s Symphony No. 2 entitled ‘Song of a New Race’.  It is believed that this concert was in fact the UK premier of this work, despite the fact that it was first performed in America all the way back in 1937.  I’d never even heard of the composer and yet it is argued by some that, while Gershwin was studying under Still, he allegedly pinched the melody of ‘I Got Rhythm’ from one of Still’s compositions.  Now that’s good gossip.

The Symphony itself was really enjoyable, well written in terms of the harp, and also fun to listen to.  Especially the upbeat third movement.

I can’t really describe the composer better than in the concert programme, so here I am quoting Frank James:

“He was a remarkable man, who achieved a whole series of ‘firsts’.  He was the first Afro-American to have a symphony performed by a major symphony orchestra, the first to conduct a major symphony orchestra in the States … as well as the first to conduct a major symphony orchestra in the ‘Deep South’ and the first to conduct an all-white radio orchestra in New York.  He was the first Afro-American to have an opera produced by a major company in the US, and the first to have an opera televised over a national network.  All this was back in the 40s and 50s, at a time when strict segregation was still the rule in the States…”

So I feel honoured to have played in the first UK performance of this piece, and I hope it will be the first of many.  There are recordings available on Naxos and it’s well worth a listen.  Trust me.

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Market Rasen

Last weekend was unusual.  My gig was with Market Rasen Choral Society, over in Lincolnshire.  I had practised the music and was really comfortable with it, I knew parking would be no issue, I was staying overnight with a member of the choir who has a B&B and had already invited me out for an indian meal after the concert.  So there was really nothing to worry about.

This of course made me worry that something truly dreadful would happen.

But no, smooth sailing all the way, there wasn’t so much as a single step to move the harp up or down – perfect!  I also got paid on the night, hurray!!

The repertoire was Delius’ Brigg Fair (I actually drove through the village of Brigg to get to Market Rasen, such a beautiful part of the country) and Rowland Lee’s Requiem.  Rowland was present at the rehearsal and the concert, it’s always a bit nerve-racking when the composer is actually sitting there, score in hand, ready to point out what he’d like doing differently.  But actually, he was lovely and received a well-deserved standing ovation at the end of what turned out to be an unusually long concert.

But it was ok, there was curry to look forward to.  I sat opposite a very interesting man and we spent the evening chatting about where we went to school and things like that.  I didn’t realise it was Ian Hogg – a quick glance at his IMDb page shows that he has been in lots of TV and Shakespeare plays http://www.imdb.com/name/nm0389707/

After dinner it was time to go back to the B&B, which was about seven miles away.  It’s in the middle of the countryside and when you breathe in you can just tell immediately that you’re not in a big city any more.  And you can see the stars!  What a treat.  It was midnight when we got back and, as I was leaving first thing in the morning I decided my harp could sleep in the car.  Midge very kindly provided a nice thick duvet to tuck it in.  I found out later that Midge (Thomas) is a published author.  She wrote a recipe book of jams and preserves for the WI that has sold over 100,000 copies!

So that was that, lovely trip, lovely part of the country that I hadn’t been to before, met some great people, and got paid to do it!  Brilliant.

May is literally jam-packed with gigs (excuse the pun) so lots and lots of posts to come I’m sure!  Watch this space.

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Summer Term

Ok so I’ve graduated and ‘term dates’ don’t mean that much to me any more.  But it seems like a good time to refresh my goals and just get organised with all that’s going on.

May is looking busy.

I’ll be at Chets (Chetham’s School of Music) working in the Practice Department for 6 days, 2 orchestral gigs, a wedding, teaching at the weekends, and a solo recital in Scarborough that I’m really over-excited about.

On top of all that, I need as many shifts in the bar as physically possible to help me get back on track.

So lots of practice is happening at the moment, and it feels great to have lots of things to work towards, I’ve also been brainstorming ways of improving my business and getting lots more work.

Current ideas include:

  • getting a lever harp and busking on free days
  • putting together a demo video to send to anyone who might give me work
  • recording an album for general release
  • emailing lots of orchestras, music services and schools with my CV and seeing what comes up
  • looking into harp therapy and possible qualifications to be gained
  • getting more teaching work

So yes, after a very restful and relaxing Easter holiday I am ready to throw myself back into all things harp-related.  And I need to work out how to come up with the cash for a lever harp… all ideas welcome.

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Onwards and Upwards (getting your act together)

Ok, my last blog post was a little depressing.  It was exactly how I was feeling at the time so I make no apology for it.  I’m learning to look at times like that as a wake-up call to actually do something instead of just worrying.  So much worry comes from procrastination, I sometimes feel that worrying could all but be eliminated if we just got on with what needs doing instead of putting it off because there is an overwhelming amount of things to do.

One thing that helps me feel better and less neurotic is running.  I love getting out in the fresh air (often the fresh rain as well considering I live in Manchester) and just running, it gives my body a chance to move, I feel revitalised and refreshed after each run (usually this is coupled with mild exhaustion).  I don’t have to think about anything and my mind is always so much clearer when I get home.  Since doing the Manchester 10K last May my running has sort of tailed off but I fully intend to get back into it.

Since writing the last post I have sorted out exactly what I’m practising for and have started chipping away at that.  I have a solo recital in May in Scarborough that I’m very excited about.  I’m going to resurrect a couple of pieces from my Final Recital and mix those up with pieces that I did a while ago to make a varied programme – nothing too heavy but still a nice challenge for me to get my teeth into.

I have also started sending out lots of emails and CVs to anyone who might be interested in giving me work – ironically my phone just rang with an offer of a gig that I can’t do – argh!  – so now I’m feeling a lot calmer in the knowledge that I am working hard putting my name out there and I can have faith that work will soon follow.  I felt similar after all my Christmas gigs had finished and I was left with an empty diary, it filled up very quickly into a busy term.

Next week I’m having a mini-holiday (still in England but getting away for a few days) so as soon as I get back from that it’s straight back to looking for work!

I’d like to say a quick thank you to everyone who got in touch after reading my last post to make sure that I was OK!  It means a lot, so thank you.

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Harrogate revisited…

I have wondered whether or not to write about this gig, because the whole day was just pretty stressful and I try to keep negativity out of this blog.  But as this whole thing is about being honest about what the music business is like, I’ve decided to include it.

Let’s start with the good:

  • My parents came to watch the concert – it’s always so lovely to see them and to have some supporters in the audience, someone to play for.
  • The playing itself was lovely, it’s music I enjoy playing – particularly the Agnus Dei from Howard Goodall’s Requiem, that’s a really nice part to play.
  • There was wine in the interval.

Ok that’s done, onto the rest of the day:

  • Harrogate, despite being a small town, seems really difficult to find your way around – due to all the one-way systems that my sat-nav is too old to know.
  • Once I’d found the church I had to unload, up a few steps but no big deal.  The next task was to find a car park.
  • Found one!  Full.
  • Found another one!  The machine gave me a ticket before letting me in and I dropped it on the floor!  So embarrassing, I had to actually stop the traffic after parking to go and pick it up from where I’d dropped it.

Once I’d found my way back to the church (thank you smartphone GPS) I just turn around to put my bags down and turn back around to find a man I’ve never seen before grab my harp and say ‘ooh it’s pretty heavy isn’t it!’  Cue a rather annoyed ‘excuse me I’ll do that!’ from myself and he wanders off smiling to himself – infuriating!

The conductor – a lecturer from Leeds Uni, asked me to go to the other side of the podium once I’d got settled down – I wish he could’ve introduced himself to me and asked me to set up there when I’d first arrived.  I’m pretty sure he had no idea of my name until I gave him my business card after the concert.  Being referred to as ‘harp’ all day is a bit depressing.  There are some more things I could say but I will leave it there.

The second half of the concert was a performance of Carmina Burana by what was frankly a gigantic choir including a school choir – I’m sure several of whom didn’t sing a single note.  I watched from the front row with my parents.

Oh, and one more thing, music geeks will relate to how annoying this is.  The audience applauded after every movement.  I’m sure it added at least 20 minutes to the overall running time of the concert.  I found the perpetrator who started the applause and glared at her several times to no avail.  My mum and I couldn’t stop ourselves giggling due to the fact that my dad had brought a score along so he could sort of ‘read along’ with the concert – and he sniggered to himself every time something went wrong – in the front row.  Amazing.

So after the concert all the was left to do was get paid (yay!) and drive home through what was probably the worst fog I’ve ever seen.  Ever.  So as you can imagine I was very relieved to arrive home to a nice glass of sherry and a catch up with the parents.

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end of the week

Remember the post about how last week was really quiet?  This week has been the total opposite.

I’ve been to:

  • Harrogate
  • London
  • Stockport
  • Sheffield

and ended the week in my hometown of York.

The Stockport gig was fun.  Only instead of putting the church in my satnav I actually put the vicarage – so you can imagine my confusion upon arriving down a random street in suburban Stockport with no church in sight.

I swear I must be really thick to be able to get lost even with the assistance of my faithful tomtom.  I eventually found the church (maybe it was a miracle?) only to find there was one space in the whole car park – at the far end.  There was a line of cars jostling for it and the conductor – Jim Cooke – was standing in the space, reserving it for me.  How sweet!  I have no idea what I would have done had he not been there.  One of the basses from the choir very kindly paid for my parking as well, Stockport may not be the prettiest of places but it certainly was friendly.

The rep for the concert was Janáček’s arrangement of the Lord’s Prayer, and Howard Goodall’s Requiem (which, by the way, I’m also performing this coming Saturday in Harrogate – has everyone gone Goodall crazy?).  I had never played either of them and actually they are both beautiful pieces.  The arrangements were for harp, organ and choir.  I don’t envy the choir though some parts sounded challenging to say the least…

So that brings me to yesterday.  Mothering Sunday (Happy Mothers’ Day to my wonderful mummy).  I was playing in a retirement home called Brunswick Gardens in Sheffield for their Mothers’ Day Lunch.  A number of people came up and said they enjoyed my playing, and some even took my demo CD.  Upon hearing my rendition of the Welsh folk-song Bugeilio’r Gwenith Gwyn a lady came up and requested a different folk-song, and I had to sheepishly say I didn’t know it.  How embarrassing.  Still, onwards and upwards.

As Sheffield is kind of in the middle of Manchester and York I decided to drive to York to see my parents, I went for a walk with my mum in the early evening sunshine and then, for some (rare) piano sight-reading practice, me and my dad worked our way through Tchaikovsky’s Nutcracker Suite for piano duo.  My skills are definitely getting a little rusty, I have now decided I’d like a piano with me in Manchester – the only question is how to get it there?

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London!

Yesterday I spent the afternoon snoozing on the train down to London Euston.  I had a background gig in the Royal Courts of Justice with the lovely, talented, Esther Swift.  We form half of the harp quartet Clouds, I’m sure I’ll be writing lots more about us in the upcoming months but only two of us were available on this occasion so we were the Clouds duo.

Before smartphones, I have no idea how I found my way around London.  I love going to visit and see the sights – I always have to visit the Natural History Museum, that’s the geeky part of me – but I had no idea where to find the Royal Courts of Justice.  Google maps, what a life saver.  Also being able to google ‘nearest tube to courts of justice’ proved very handy.  All of which resulted in me arriving one and a half hours earlier than I needed to.  Luckily there was a nice looking cafe right opposite so I sat in the window and took some photos:

This was after the first attempt, a car drove past me at the wrong moment and it just looks like a nice photo of London cab:

Anyway, Esther arrives and we decide to make our way into the building, past the security checks and then we had to wait for the harps to be delivered.

A note here, thank you so much to Holywell Music for allowing us to hire a couple of lovely harps for the evening.  I’ve driven to gigs in London before with my harp – so not worth it – I had a run in with a traffic warden who made me cry (I was in a designated loading bay!)  And just finding parking that’s accessible with harp is so difficult.  London-based harpists… I salute you!

So hiring harps meant we could get the train down – very cheap – and I could have a drink after the gig!  Amazing!

We were provided with exceptional canapés, which looked so good I had to take a picture:

I’d like to add that that’s apple juice, not whisky.

We were playing on a balcony overlooking the Great Hall, the view was fantastic:

The whole hall was packed for the event, luckily we were mic’d up so apparently we could actually be heard.  It really did look fantastic.  I gave my card and demo CD to a man who organises weddings in Rhodes… what an amazing gig that would be!

Finding a stair-free way to get the harps onto the balcony was interesting, everyone was telling us different things and I don’t think anybody really knew if there was a way.  But we found one, unfortunately we found it after taking a harp up a lot of stairs, only to have to bring it back down – it would be comical if it wasn’t so annoying!

A big thank you as well to Ben Lloyd-Evans at Sternberg Clarke for sorting it all out for us.  We had a great time!

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the quiet weeks

This week is almost completely empty in my diary, scary!

With the exception of a bit of teaching on Saturday and working at the bar on Sunday night, the rest of the week is my own.  It’s hard to believe it’s already Thursday, without the structure of gigs/places I have to be, it’s a challenge to actually schedule myself to, you know, do stuff.

While it is great to take it easy for a few days, get up late, stay up late, go shopping, watch films, I’m finding that this is the best time to do all the admin type stuff that comes with being a freelance musician.  Emails, wow I wonder what it was like when everything happened by letter?  I get so many emails to sift through on a daily basis – not that I’m complaining – once upon a time my business email account was something I checked every so often, while my personal account was the one I always checked.  These days, my personal account has become the place where spam email goes to die.  I live my life through my business account.

Sorting out the diary is another big job, making sure I have all the details of upcoming gigs, checking that I haven’t forgotten to get some vital piece of information like the venue for example (it has been known).

And now the nice bit – I have time to practice nice music!  I have time to practice solo pieces!  It’s just so nice to sit and play without any sense of not having enough time or being in a hurry or under pressure.

It can be tricky organising myself to stick to a schedule, especially when no one will know if you stick to it or just decide to laze around – not that I ever do that *cough*.  Tell me, what are your tips for staying motivated to get all those little jobs done?

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Background Music

Yesterday evening I received a phone call asking if I was free this evening to play some background music for a dinner.

It is so unusual to get gigs this late notice (thank you to the lovely Alice Kirwan for giving my number to the guy sorting it out).  The fee was less than I would charge for background music at a wedding, but, still half a month’s rent so I went for it.  And here it is:

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The dinner was at The Midland Hotel – right in the centre of Manchester.  It’s an absolutely gorgeous hotel.  Only problem was there were fifteen steps (yes I counted) to the room where the dinner was taking place.  Nowadays all hotels have to be super-duper accessible so this surprised me.  The staff were very enthusiastic in helping me though so I can’t complain.  They also got me a diet coke and didn’t complain when I immediately spilt it all over the carpet (oops).

Background music is just so different to normal performing.  In lots of ways it is a lot freer, as no one is listening that intently you can put in lots of repeats to err, pass the time (don’t tell anyone).  But after about half an hour I realised that this was as calm as I’d felt all day.  Just playing beautiful music to set the atmosphere.

Considering the fact that I’m a musician, I spend a large proportion of my time ‘sorting things out’, posting contracts/invoices, getting hold of music, replying to and sending emails, it feels good to chip away at these things but sometimes it feels as though for every little thing I get done, three more suddenly need doing.  So it is actually very therapeutic to just play.  Not to worry about the ‘to-do’ list that day or what I have to get done, just enjoying the sensation of making music allows my brain to be quiet for a few minutes, almost like meditation.

It’s a chance for the voices in my head to just be still and quiet… not that I have voices in my head, you understand…

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Phantom of the Opera

This week I am travelling to St. Helen’s to play for a youth production of Phantom of the Opera.  I have been really excited about this as it’s one of my favourite musicals, and the film adaptation with Gerard Bulter and Emmy Rossum is one of my favourite films.

There are four performances, Wednesday, Thursday, Friday evenings and Saturday afternoon – and by the looks of things they are all virtually sold out, which is great!  The band is made up of about a dozen of us and we are on-stage as opposed to being buried in a pit.  It’s really refreshing to be able to see what’s going on on the stage.  Last year I played for a rather more jazzy musical – 42nd Street – it was a lot of fun but the only action I was aware of was the sound of thirty tap-dancers pounding the stage.

The strange thing about Phantom is that, as well as a band, there is a backing track.  Andrew Lloyd Webber obviously leaves nothing to chance and provides the tricky-sounding organ part on a ready made CD as not all theatres come with built-in pipe organs.  It definitely adds to the texture of the music, which can sound quite sparse without a string section.

The Phantom’s mask for the Masquerade scene is particularly scary.  Although it was made less scary by the fact that the cast had to sit in the auditorium in full costume to hear the director’s notes before the dress rehearsal.  There it was, very scary skull mask, listening attentively to stage directions, resulting in hilarity and most of the band in fits of laughter.

Playing for shows is one of my absolute favourite things to do as a professional harpist.  There’s the camaraderie of being in a band that meets several times in one week.  The music itself, and lucky for me the harp often gets the most beautiful music to play – ‘All I Ask of You’ springs to mind – plus several glisses to add that extra sparkle.  And don’t get me started on the pre, during and post show drinks on offer…

We’ve had the technical and the dress rehearsal now, so fingers crossed it’ll all be alright on the night…

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