Erm, where’s my time off?

I hope everyone is settling in to the New Year nicely, who is keeping their resolutions?

So I just looked back to my ‘Week 2’ post of last year. It makes rather depressing reading. I was struggling financially and needed a part time job to tide me over. I felt out of control regarding my earnings and hated living month to month, not knowing if I’d be able to pay rent next month.

Well, a lot can change in a year.

I had so much work in November and December of 2013 it was absolutely fantastic, as well as a bit frantic. I admit I was looking forward to the quiet of January. I knew I’d made enough money to feed myself even if I got no work this month – which happily isn’t the case. I also feel a lot more in control of my finances since using the iPhone app ‘Back in Black’, which I talk about in the post Will We Always Feel Skint?

So rather than wallowing in the lack of work and freaking out about the future, I’m taking a different approach this year. I’m being generally a bit more on it, getting stuff done regarding admin, practice and other life-stuff that needs doing. I’m also using this time to take stock, to think about possible projects for the upcoming year and setting myself some targets. More info coming on those projects as and when… but I’m pretty excited already! So basically, when I thought January would be something of a holiday, I was wrong, it’s a holiday from three gigs a week but there’s still so much to do!

This last week I’ve been playing down in London, but annoyingly I’m not allowed to say what I was doing! This will definitely be the subject of a post around April time so keep your eyes peeled. This photo was shared on Facebook so I guess I’m allowed to share it here, check out the beautiful paper birds:

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But that’s literally all I can say at this point, so watch this space!

In other news, my harp quartet have been brainstorming ideas for this year too. 2014 is going to be an exciting year. If you haven’t seen our website yet you can visit it here.

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Happy New Year!

I’d like to start by wishing all those who visit this page and read my blog a very happy and healthy new year.

I brought the new year in by playing with the British Concert Philharmonic Orchestra in a New Year’s Eve Gala in Buxton Opera House. The gigs I do with this orchestra tend to involve getting the music on the day and spending the rehearsal sightreading, then practising like mad in the breaks and hoping for the best in the gig. NYE was no different. The first half felt like back-to-back harp solos. O Mio Babbino Caro, The Pearl Fishers Duet, Meditation from Thais, it was never ending! These are pieces that I learnt the part for years ago – while at school – for ‘the future’. Well, I’m glad I did but even so the rehearsal was rather stressful. I spent the time between the rehearsal and the concert drinking coffee and note-bashing.

Weirdly enough, the gig itself went really well. Must have been that sneaky practice I did before. Part of me loves these gigs where you turn up and sightread, it means you can’t get stressed before the day because you don’t know the programme yet. On the other hand, I can’t hang a sign on my harp that says ‘I’m sightreading!’ just so the audience (and the players) will forgive my mistakes. Having the chance to fully prepare is obviously preferable.

The concert finished at around 12.30am at which point it was time to drive back to Manchester for a few chilled out New Year drinks (lemonade only as I was driving).

I’ve made a few New Year’s Resolutions, firstly, be less messy, secondly, carry on running three times a week (which I successfully achieved in December – woo!), thirdly, wear dresses more often, and finally, stick to working hours during the day (see my previous post on keeping schedules).

In fact, on the subject of running, here’s a photo from my run on the moor near my parents’ house. It was a gorgeously crisp morning, a little icy, but beautiful none the less:

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Merry Christmas!

Well that’s it. I have finished all my gigs before Christmas!

It’s been pretty frantic over the past few months. Five Ceremony of Carols, a week of concerts with my harp quartet CLOUDS, and several other background and orchestral gigs too. I have two more engagements in 2013 – a funeral on December 30th and a New Year’s Eve Gala in Buxton.

My last gig was in Bradford Cathedral doing Britten’s Ceremony of Carols, which was being conducted by the lovely Alex Woodrow – an old school friend of mine from St. Peter’s in York. I was looked after exceptionally well. Convenient parking, coffee on arrival, a leisurely rehearsal schedule, a successful performance and pub&curry afterwards! Met some lovely people and generally had a great day. Good gig!

Just thinking back to this time last year, I had such a quiet Christmas it was unbelievable, I cried numerous times over having no work and worried constantly about the lack of money coming in. Compared with this year the difference is like night and day. I know that, even though January is quiet I won’t be living off couscous and frozen vegetables. Hurray!

2013 has definitely been a learning year. The first half was dominated by my job in Long Tall Sally, the second half dominated by lots and lots of work. In amongst all that there’s the constant uphill struggle of trying to ‘sort my life out’ – which is often on my to-do list. Is any musician’s life truly sorted at this stage? Looking back, some decisions I’ve made this year have been for the best and some have been downright silly. But all we can do is learn from the mistakes and do better next time. I’m so lucky that I have such a supportive family… and someone special in my life who I can talk to and lean on (gently) when things feel difficult.

So I’d like to wish all those who read these posts of mine a very Merry Christmas. I hope those of you who need to travel are able to do so safely despite the stormy weather, and let peace, goodwill and festive cheer be with us all. Somebody pass the mulled wine…

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CLOUDS Christmas Concerts

The last seven days have been devoted to my harp quartet CLOUDS. Tuesday, Wednesday and Thursday we rehearsed in my living room (having four harps in one room is far from normal). We were rehearsing for four concerts that made up our mini Christmas Tour.

The music we play is written by fellow CLOUD Esther Swift. It’s got a lot of folk influence. Think folk mixed with Steve Reich mixed with a tiny sprinkling of dub. None of the music is written down, this means Esther teaches it to us by demonstrating and explaining. It also means we have to remember it from one tour to the next, the amazing thing is we manage it.

It all started when we were at music college together, the four of us (myself, Elfair Dyer, Rebecca Mills and Esther Swift) were put in orchestra together to play Symphonie Fantastique by Berlioz. We had so much fun rehearsing together that when Esther mentioned that she’d written a piece for four harps we jumped at the chance to play more music together and it’s grown from there. I don’t think any of us (apart from Esther) had much experience with playing folk, learning by ear or improvising so for all of us it is a real learning experience and, personally, it has opened my eyes to new ways of learning music.

Bearing all of this in mind, it was fitting that the first concert of our tour was in the RNCM. The Studio Theatre to be exact:

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The current members of the harp department came along to support, which was lovely! There was an interesting moment when an astrophysicist came up to us at the end to correct our definition of an Interstellar Cloud. But how amazing that he saw that one of our pieces was called Interstellar Cloud and that made him come along to hear us!

This gig went pretty smoothly, ignoring the fact that a certain CLOUD managed to leave her shoes at my flat and had to run back and get them five minutes before we were due to be onstage. Not looking at anyone in particular (Esther).

The following day Elfair, Esther and myself headed to Long Marston in North Yorkshire for our second gig. We spent the day making sure we could play our programme with just three of us and playing through extra duets that expanded the programme from the previous evening.

Long Marston is a really special church for me, my parents were married there, my dad still plays the organ there and I was also Christened there. Having said that, it is one of the coldest and most spidery churches I’ve ever been in. We were ready for mulled wine and mince pies in the interval!

On Saturday we were playing for a sell-out concert in All Saints Church in Brandsby. Rebecca joined us for the rehearsal beforehand but it soon became clear that she was too unwell to perform (if you’re reading this Bec, get well soon and I’m sending you lots of cuddles!) so we made a last minute decision to play our Long Marston trio programme again as we’d already prepared it. Coming from a city like Manchester, Brandsby feels so rural, no street lights meant we were wheeling our harps in complete darkness – interesting. Plus we had to get four harps home in three cars.

Saturday was a little bit stressful.

On Sunday, we were booked to play for York’s Annual Community Carol Concert. I’ve been going to this event practically every year of my life. My dad, John Warburton, is the Musical Director of the event. The three of us arrived really early to set up, tune, sort out microphones etc. We found our dressing room, had some lunch and got ready for the concert. Everyone had remembered their shoes, we were unstoppable.

The afternoon itself was lots of fun, community carols sung by an audience of over 1,400, two school choirs, the beautiful Rebecca Newman, a brass band and of course CLOUDS all contributed to a lovely afternoon of Christmassy joy.

And then it was time to say goodbye, Elfair, Esther and Rebecca, you are all legends and I love you. Can’t wait til the next tour!

For more information about CLOUDS visit www.cloudsharpquartet.com where there is a link to buy our CDs!

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December …

Well, Thursday of this week came and went and I couldn’t find the time to post. Naughty.

I am writing this from a rehearsal in Holy Trinity Church in Southport, with the Southport Bach Choir – I should say that I’m not rehearsing right now – that would be rude.

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Everything I’m involved in has been rehearsed so now my job is to amuse myself until the second half of tonight’s concert – I’ve been told there’s a Wetherspoons nearby so I’ll be fine.

But enough about today, let me take you through the adventures of the past week-and-a-bit.

A week last Friday I was doing some background music in Ormskirk at the Chapel Gallery as part of their Christmas celebrations. The staff had all come in fancy dress (including elves, witches and two ugly sisters). This was an exciting background gig for me as it was the first time I used my iPad instead of sheet music. A while ago a spent an afternoon scanning all my background music into the computer so I could put it on an app called ForScore. This handy app allows me to crop the music to get rid of white space around the edges, I can also make setlists (currently I have two; ‘background’ and ‘background – no Christmas’).

I received some lovely feedback from this gig and I think it was partly due to the fact that my presentation was neater than usual – no piles of music, no flicking through books trying to decide what to play next – it was all very slick.

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I’m still waiting for payment from this gig – quite tempted to name and shame the person who booked me for this as they are also a musician! If payment is going to take two weeks or even a month – fine – I’ll manage. But don’t tell me I’ll have it in five days when that isn’t going to happen, I just want an honest date on which I’ll be paid. Grumble grumble.

Saturday’s gig was at Leeds College of Music with the National Festival Orchestra. I had a great day. The programme was fabulously harpy, as you can see I had pride of place – centre stage:

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We were doing Britten’s Ceremony of Carols, Franck’s Panis Angelicus, Faure’s Cantique de Jean Racine and Saint-Saens Christmas Oratorio (plus some Rutter that I wasn’t involved in). The Saint-Saens was quite a challenge but I thoroughly enjoyed it, I got some wonderful feedback about the Britten too. I just wish they had attracted a bigger audience because they deserved to have the place sold out.

…continued from the previously mentioned Wetherspoons…

I have left the cold of the church for the local pub. In a bit I will face the tricky situation of leaving my table to order food and hoping no one will claim said table before I sit back down.

Last Sunday, Monday and Tuesday I was playing for a concert version of Phantom of the Opera at Cowley International College in St. Helen’s.

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Sunday rehearsal then Monday and Tuesday performances. It was the same group who did Les Mis this summer and Phantom early 2012 (right about the time I started this blog). I do like going back, the conductor – Shaun – and Danny the director are both absolutely lovely and we always have a good time. Again they deserved much bigger audiences simply due to the passion and enthusiasm that the staff and performers bring to the show. There was an unfortunate incident on Tuesday that involved the smoke machine causing the fire alarm to go off but apart from that the shows went smoothly. The appalling traffic on Tuesday caused me to be late – very unlike me, but I only held up the show by ten minutes…

So that brings us to Wednesday, when I was booked to play more background music at the Lowry Hotel, Manchester.

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Another outing playing from the iPad. Another gig where I was told I would be paid ‘by 10am tomorrow’ and am still waiting – four days later – for my money. The organisers brought in some arcade ski-simulator games, there was quite a surreal moment when I realised that we are all, in fact, still children at heart. I was playing Disney on the harp while grown men in suits played arcade games.

So a very busy week, but on Thursday I was taken to Cloud23 in the Hilton for cocktails. We got very dressed up and drank our drinks while enjoying the night time view of Manchester. Here’s the obligatory photo of me with my exciting cocktail that included chocolate covered raspberries.

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So that’s it for this week, thanks for reading, and hopefully I will have been paid for some of these gigs by the next time I post!

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December is looming!

There are two gigs to report in the last week. Today is – scarily enough – the last completely free day in my diary before Christmas! This thought is terrifying. I made the most of it by eating seashells in bed until lunchtime (chocolate seashells – before someone carts me off to the nearest asylum) and then spending the afternoon practising with the aid of copious amounts of coffee.

Last Saturday was the same repertoire as the week before, Verdi, Britten, Wagner – we know all about it. The concert was in Knaresborough. Quite a long drive from Manchester but it meant I could pop home for a quick drink and a chat with my dad in the afternoon.

On Sunday morning I was singing with my church choir, before dashing off to Crewe for an insanely last minute gig. A Viennese Christmas Gala with the British Philharmonic Concert Orchestra. Luckily I enjoy sight-reading (adrenaline!) as there was no time for me to get hold of the music before the day of the concert. I knew we were doing to be doing excerpts from Merry Widow, hurray I thought, I’ve done that before! But alas, we were doing a different arrangement to the one I played in summer. So before I was happily doing my Lehar style um-chas but on Sunday I was relegated to counting bars of rest. Shame. We also played lots of Strauss, waltzes and polkas, think New Years Day in Vienna. There was also, I’m ashamed to say, Christmas music, it’s not even December yet! Way too early for Jingle Bells – although I did secretly rather enjoy it.

Tuesday, Wednesday and Thursday of this week have been free in my diary, yay! It feels like a weekend, which I probably need as my next gig-free day is a week today! Busy busy! Looking back to this time last year, I had hardly any gigs over Christmas at all – which ultimately led to me needing a part time job (and going home to cry to my parents and seriously considering a change of career). But here I am a year later, working like crazy! What’s changed?

So not much to report this week – but Christmas is looming on the horizon and there is A LOT to do before then!

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Success

Even though I am busy with gigs at the moment, it still feels like the calm before the storm. It seems that every day I get calls asking for last minute gigs before Christmas, my diary is bulging at the seams – which is great.

Last Friday was slightly manic. I was performing some background music for the annual fundraising dinner and awards ceremony for Christians Against Poverty at the Royal Armouries in Leeds – there were about 400 people there and the place looked great…

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I had to dash off after the main course for a rehearsal with Leeds Symphony Orchestra. I felt slightly silly turning up to a rehearsal 20 minutes before the end – but the programme had lots of harpy moments so for the sake of the conductor’s sanity I thought it was important to go so we could chat about important entries, the speeds of different sections etc.

The concert was the following evening in St. Chad’s, Headingley. It started with Verdi’s Force of Destiny Overture. This is one of my favourite harp parts! It’s an excerpt that all harpists learn as early as possible so we can perform it at a moment’s notice without too much stress. In fact, the best thing to do is memorise it so you can just stare at the conductor and still hopefully get all the notes in the right place (the excerpt is fast triplets with lots of pedal changes but SO much fun). I will always remember performing it in Italy in 2010 with the RNCM Symphony Orchestra on the Piazza in Montepulciano. I remember the warm Mediterranean breeze causing the harp strings to sound, and the promise of ample Montepulciano d’Abruzzo for us all to drink each evening. It was a fantastic time.

The next piece in the programme was Britten’s Sea Interludes from Peter Grimes. I’m doing so much Britten this year due to the fact that this Friday would have been his 100th birthday. I feel a great affection for Britten’s music and am very proud and happy to be able to perform it so often (on the last count I am doing five performances of his Ceremony of Carols this year). I first did the Sea Interludes with the Yorkshire Youth Orchestra in the summer before I started at RNCM. Back when I was a sweet young thing of 18 – hitting the pub with the brass players every night for a week. There was no harp tutor on this particular course and I remember being really nervous about it! But actually it was a great introduction to a wonderful set of pieces.

The final piece I was involved in on Saturday was Wagner’s Prelude and Liebestod from Tristan und Isolde. Now, Wagner has caused me a lot of stress these past few months (from beyond the grave – so rude). So he’s not my favourite person, but actually, I have to say the Liebestod is probably the most charming music by him that I have played, it’s not easy but it sounds nice – maybe you have to grow into liking Wagner and I’m just not mature enough yet. We shall see. Was it Edgar Wilson Nye that said ‘Wagner’s music is better than it sounds’? I know what he means.

Saturday’s concert was highly convenient in that I wasn’t needed after the interval so I could dash off home… and prepare myself for Sunday.

On Sunday I was to drive to Nottingham from York to take part in An afternoon of Britten – yay more Britten! The only annoying part of the day was getting to Nottingham and realising I’d left my purse in York – I won’t repeat what I said when my mum called to inform me of this. Suffice to say my wonderful daddy met me at Ferrybridge Services to drop off my purse so I could get straight back to Manchester in time for my planned evening of carbonara and wine.

The only piece I was involved in was the Ceremony of Carols. The cathedral was almost full, a really good audience. I want to know their secrets of such successful concert promotion. Maybe I’m not alone in feeling very proud of the English music being performed. Neil Page and Alex Patterson both conducted wonderfully, and the pianist, Peter Williams, was particularly good as well. The concert started with the Fanfare for St. Edmundsbury before going on to Ceremony of Carols. The next few pieces I had honestly never heard so this was a fascinating afternoon. First up was Canticle II: Abraham and Isaac, for countertenor, tenor and piano – a really moving piece of music and excellently performed by Tom Williams, James Lister and Peter Williams respectively. Next were Six Metamorphoses after Ovid with Anna Williams playing the oboe.

The next piece was The Ballad of Little Musgrave and Lady Barnard, which tells a grim tale of betrayal and adultery – the music of which was apparently parachuted into a German prisoner-of-war camp in 1943 where it received seven performances. The concert ended with the whole choir coming together to perform the Hymn to St. Cecilia – how fitting to end this wonderful, at times emotional, afternoon by honouring the patron saint of music.

So that was last weekend. There are so many gigs coming up between now and Christmas, things are going to get a little crazy! A friend of mine recently described my harp career as ‘taking off’. This was a really sweet thing to say, but, as musicians, what does a ‘successful career’ mean? Right now I feel successful if I can afford to cook myself decent food, run my car, keep warm in my flat and stay within my overdraft limit. I wonder, is it the number of gigs that defines success? Or is it the fee for those gigs? Or, more likely, the caliber and reputation of those you perform with? It’s not like there’s a promotion I can go for. I’m just ‘harpist’. But the best thing about doing lots of gigs is that it will lead to lots of gigs, this Christmas I’m also invading areas that I’ve never played in before (Bradford and Ilkley for example) so hopefully that will lead to more work for me in these areas. We shall see.

As always, a big thank you for reading these posts of mine, if you have any comments or feedback… get in touch!

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Remembrance, York Minster and birthdays!

Last Saturday I was playing the Faure Requiem in York Minster with York Musical Society. I seem to be flitting over the Yorkshire/Lancashire border very regularly at the moment, but it’s lovely to get so many chances to visit York. I arrived just in time to nab the last parking space in the tiny Minster car park, and wheeled my harp into the building. York Minster is absolutely stunning, maybe I’m biased because I’ve grown up in this city, but I think it’s just gorgeous. It has a window the size of a tennis court!

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Before the concert we had a few seconds of silence for Remembrance Day. The silence was so different from the ‘silence’ you usually get at a concert – there was no shuffling, no coughing, just heavy, thick, silence. In that huge space this was absolutely amazing. Before the concert I had gone for some food with my dad, and afterwards I gave him a lift back to his car. Now, I know the roads of York… I do, honestly! So I have no idea what possessed me to turn the wrong way down a one way street. It was only the beep of a taxi driver that alerted me to the situation. So I’m sorry ladies, but I did nothing for our reputation as competent drivers that night!

This was also the week of my birthday! I couldn’t help but think of that scene in Some like it Hot where Sugar Kane (Marilyn Monroe) laments the fact that she’s turning twenty-five – ‘that’s a quarter of a century, makes a girl think’. I celebrated with a gorgeous meal out followed by some quiet drinks in town. The following day I went for a walk in Heaton Park, North Manchester. I’d never been before but it is lovely! All the people walking dogs made me really really want one of my own, one day! We got the perfect autumn day as well – sunny, and feeling crisp but not too cold. I couldn’t resist taking some snaps:

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Next week is due to be another busy one, with gigs in Leeds and Nottingham. I have also added a new page to this website, ‘Upcoming Concerts’ – with details of where I’ll be playing over the next few months. Please also check out the updated site for my Harp Quartet CLOUDS as details are coming very soon of our exciting December concerts!

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Doncaster and Fairfax House

So after the last couple of posts were becoming dangerously philosophical, I thought today’s post should be more harp-related. I am writing from the waiting room where my car is undergoing its MOT. It was this time last year that my beloved ford died and I had to spend every penny I then had to get a new car. I’m hoping history doesn’t repeat itself today. I’m secretly cautiously optimistic.

My harp is very happy at the moment. Nicely busy without being too frantic (yet). A week last Wednesday I had a lunchtime recital in Doncaster’s Museum and Art Gallery, which went very well with a cosy audience of about forty (that’s forty people – I think their average age was somewhat older). They actually booked me for another recital in December 2014 so I must make a note of what I played to make sure I don’t play the same programme again. I thoroughly recommend the art gallery, I wish I’d had more time to look around but straight after the recital I was whisked away for coffee and crumpets at Woods Tea Rooms with the concert organiser – Philip Scowcroft.

Instead of returning to Manchester I decided to go and see my parents in York as I had a gig there a couple of days later. On Friday night I was booked to play 45 minutes of background music for a drinks reception in York’s Fairfax House. A beautiful Georgian house right in the city centre near Clifford’s Tower. As it happens, the guests were a quarter of an hour late so I only played for about half an hour. In any case, it was very well received. My playing was followed by a tour of the house, which I would also recommend if you are ever in the area.

Lastly, on the Sunday of last week I did something I hardly ever do. I played for free. Actually you can hardly call it a gig because I volunteered to play. The church choir that I sing with was performing Faure’s Requiem. I am completely in love with this piece so I asked if they wanted me to play the harp for it. If I was going to be there anyway I may as well bring my harp. Also it’s good practice for this Saturday’s gig, which is the same music, except this time in York Minster – exciting!

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Will we always feel skint?

As my diary gets ever more full leading up to Christmas, there will be numerous gig reports coming so bear with me – this is the second thoughtful post in a row and I don’t want anyone to get worried.

In a world of buy-now-pay-later, credit cards with unrealistically low minimum payments and adverts everywhere telling us to ‘treat ourselves’, it can be challenging to budget effectively. Credit is so easily obtained, why save up for the things we want when we can have it now and deal with paying for it later? People living on credit gain an unrealistic expectation of the lifestyle they can actually afford while storing up trouble for the future and having to pay ludicrous amounts in interest every month – which is literally throwing hard-earned money away.

It’s an easy and slippery slope to find yourself on. It may also partly be caused by the fact that denying yourself things or saving up for things is seen by many as boring while getting them now is seen as exciting and fun. We need to change this to a more realistic view that saving for things is responsible and wise whereas buying too much on credit is unwise and reckless.

One of my targets for 2013 was to pay off my credit card and destroy it (done) and another was to get out of my overdraft (nearly done). But now that I’ve almost shaken off those debts, suddenly I have to maintain this level of equilibrium and live within my means.

It sounds slightly OCD and maybe it is, but for the past 12 months I’ve noted down every penny that I get paid, and everything I have had to fork out for. iPhone users can use an app called Budget – Back in Black, this app has helped me so much. You key in monthly expenses that happen every month, rent, gym memberships, subscriptions etc, then the income you receive. This is obviously easier for people with salaried jobs as income is very similar each month, but for me, when I do a gig or teach a lesson, I record it in the app. It then works out what you have left over after fixed expenses for normal spending on things like groceries or clothes. You can also set yourself goals, such as paying off a credit card or saving for a holiday – decide what you want to put aside each month then that gets taken out of your spending total.

It sounds quite time-consuming but it’s really not that bad, and if anyone else out there is feeling skint I’d fully recommend this app. Just the bother of having to key in purchases is enough to stop a certain amount of spending on things like take away coffee or taxis as these really add up without adding much value. The first few months I used it I ended the month in the red, naughty. So it really teaches you to be careful.

But this got me thinking, living on a modest budget means constantly being careful with spending, but will it always be like this for freelancers with unstable income? Will I ever be able to spend £8 on a cocktail without a certain amount of guilt? Maybe once I have some decent savings in the bank, but until then, it seems the price of living without debt is constant vigilance.

Living modestly has its advantages though, walking instead of taking the bus is extra exercise, cooking from scratch rather than ordering takeaway is so much cheaper and healthier, and putting on jumpers and wooly socks in winter rather than putting the heating on makes you feel like you’re doing the planet a favour too.

Before I finish this post, I’d just like to thank everyone who takes the time to reads these musings of mine, and for your comments and feedback. Please feel free to comment below with your own money-saving tips and tricks. Or join me and let’s start a debt-free revolution and cut up our credit cards!

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