What I’ve been up to…

Over the past couple of weeks, my harp quartet CLOUDS have been on tour all over Great Britain.

Of course I had to document the time some way or other, and here are a couple of videos showing a little bit of what we got up to while we were away:

 

But even though our tour is over, the concerts continue over the next month or so in Manchester. Here’s where you can see us:

Tuesday, June 27th at 7.30pm as past of Didsbury Arts Festival. More details here.

Tuesday, July 11th at 7.30pm in St. Ann’s Church, Manchester City Centre.

Thursday, August 3rd at 3.30pm in Manchester Central Library as part of Manchester Jazz Festival.

Sunday, August 6th at 3pm in the Whitworth Art Gallery. More details here.

Please do come along and say hello if you attend one of our concerts.

I also wanted to just say a massive ‘thank-you’ to everyone who supported us along the way on our recent tour. Our parents looked after us a lot and kept us well-fed (largely with garlic bread – my request) and the staff and teams at the various venues for welcoming us with open arms and encouraging the locals to get involved and support us.

And (I’ll try not to get emotional here) thanks to my fellow CLOUDS for being amazing and inspiring musicians and fierce friends. I love you all so much x x x

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Six days to go…

This time next week, I’ll be in the Scottish Borders with CLOUDS Harp Quartet, preparing for the first gig of our Summer Tour 2017.

We have launched a kickstarter to ask for your support towards our travel costs, and there are just six days left.

If we don’t reach our target, we get nothing.

The reason we are asking for support is that we absolutely love the music that Esther Swift writes for us, and we want to bring it to as many people as possible. Over the course of the tour we will be driving 1,500 miles each. That’s 6,000 miles of fuel we need to cover. In real terms, that’s £2,700 we need to make just to cover mileage.

We are literally driving the length and breadth of the country to play for as many people as we can. Just keep your fingers crossed that our cars can survive!

Thing is, we can’t really afford to do this if we don’t make any money from it. Of course we are passionate about the music but we need to support ourselves too during increasingly uncertain times.

This is the biggest tour we’ve undertaken since the quartet formed in 2008 and we are SO EXCITED to get out there and release this new music to you. Even if you can’t support us via kickstarter, please have a look at the concert dates and come along if you can.

Our kickstarter page can be found here: https://www.kickstarter.com/projects/cloudshq/clouds-harp-quartet-summer-tour-2017

As ever, thanks for reading, we’ll hopefully see you very soon!

A x

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I was so ill!! Vlog #6

Sometimes, as musicians, we are reminded of the fact that we do not get sick pay. It’s not possible for us to pull a certain number of sick days and know that we’ll still be paid our salary.

This has been my story this week, last Wednesday I literally could not get out of bed because of achiness and fever. The following day, I had to play for a wedding. Leaving a couple without music on their wedding day is not an option – so I had to go and do it.

It’s now a full week later and I’m still not 100% but I’m much better than I was. Thank goodness!

 

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February on #YouTube

It’s been another month of regular YouTube uploads! Thank you to those of you who have subscribed to my channel. We are slowly growing and already I’ve had a surge in enquiries so that’s absolutely brilliant.

The first video to be uploaded onto my channel in February was a tutorial giving a basic overview of how to sit at the harp and how to actually play the harp:

Next up, Vlog #5:

This was a big week as it was the first week of being completely freelance after quitting my part-time ‘side-hustle’. So give it a watch and follow along for a week of musical adventures. This was the first time I’ve attempted a weekly vlog and I had no idea how long it would get! I had to cut out a lot of footage to keep it a reasonable length. Let me know what you think.

I’ve talked about this next video in a previous post but didn’t want to miss the opportunity to share it again – I made another CLOUDS video:

CLOUDS are going on tour in June and we are very excited to be bringing you a whole new programme of music (I’m sure some old favourites will be in there too). We’ve been busy rehearsing and learning all the new music that Esther has written ready for summer. Tour dates are up on our website so check those out.

Last but not least, I couldn’t let the month slide by without uploading a classic wedding favourite. Here is my performance of Handel’s Arrival of the Queen of Sheba. I get asked to play this very often, and it’s particularly fitting for the couple’s exit from their Wedding Ceremony:

I had the bright idea of recording these videos from memory. I know this piece so well and yet it still took ages to get a full take! I think it’s definitely worth the extra work to have memorised performances, but what do you guys think? Also, I’d like to say a big thank you to my housemate Chris for letting me use his fancy DSLR to record this last video. I love the quality but still need to learn how to use the camera properly (beyond just zooming in and pressing Record).

I’d like to say a big thank you to all of you for reading, watching, and just generally supporting me along the way. I know some of you have been reading this blog since it started back in 2012 – that’s five years folks! Your support is much appreciated. I adore having a writing outlet and getting the chance to share my musings with you.

Chat soon,

Ax

p.s. I’d also like to ask you for some feedback. If you received this post via email, did the links to the videos work ok? Did you just receive the one email? I’m transferring my email list to MailChimp so please bear with me while I sort any niggles out!

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January on #YouTube

Recently I’ve been investing much more time into my Youtube channel. My aim is to upload videos weekly so make sure you subscribe (after you’ve subscribed to this blog of course).

My first video of 2017 is a short introduction to how the harp actually works:

I get so many questions when I’m playing and gigging about how the harp works and how it’s played, so I thought this would be a good opportunity to introduce the instrument and answer some of those questions.

Moving on, the next video is a firm wedding favourite and one that is often requested – Eric Clapton’s Wonderful Tonight:

I’ve invested in some new lighting for my videos so do let me know what you think.

Next up: I’m continuing my project of recording pieces from each of the ABRSM grades. Here is my first offering from Grade 4:

I remember playing this for my Grade 4 back in the day (time to update the syllabus, perhaps?)

I’m one of those strange people that actually enjoys studies and scales. They are such a good way of measuring your progress, work on your sound, and hone your technique, which brings us nicely to my Grade 5 video:

This is another piece that I remember playing when I was doing my grades. A lot of harpists dislike Naderman but I’ve always found his music rather enjoyable – just the right amount of twee mixed in with some drama, and of course, plenty of scales and arpeggios to keep those fingers warm. This may not be the last piece by Naderman we see on this project.

So that was January on YouTube. Do you have any requests for upcoming videos? Leave me a comment and let me know. I’d love to have your input as I seek to grow my channel. I particularly enjoyed making last month’s CLOUDS video, so maybe there are more of these vlog-style videos coming up too.

 

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How to Practice: Schedule it in

If you’re anything like me, sometimes it’s hard to practice. Some days, the motivation just isn’t there, it just seems like too much. So we end up procrastinating and putting it off until eventually the day is over and it’s too late (who else does this?)

I think that the reason for this is the fact that practice – good quality practice – is mentally tiring. You’re always thinking, always trying to improve, actively looking for imperfections and then trying to iron them out. It’s not easy! It takes effort. That’s why I think it’s hard to get started sometimes.

So I’d like to use this post to make a list of things that seem to help me to practice (even when I don’t want to). If you have any of your own tips please leave them in the comments – let’s help each other with this.

Find what time works best for YOU

For me, it’s first thing in the morning, before I’ve had chance to get distracted by emails and other commitments. Straight after breakfast, sit down and play. I find that I focus much better in the morning and practice is much more productive (in fact, I’d go as far as saying it’s probably twice as effective as afternoon or evening practice).

I realise that with family and work commitments, morning practice isn’t always possible, but even if it’s a couple of days a week, morning practice could make a massive difference to your overall progress. Give it a try.

Set a weekly practice target

We all have busy, crazy days where practice just ain’t gonna happen. Let’s not beat ourselves up about it. Instead, set a weekly target of how much practice would be ideal and try and stick to it. Start small, how about four hours a week? If you get to the end of the week and find you want to do more, increase it. If you find your target was way too high and you’re feeling guilty for missing your target, relax a little and find an amount that works for you. If your practice is good quality, you may not need to do as much as you think.

Schedule your practice in for the week

So you’ve decided how much practice you need to do this week, now let’s schedule it in. Ahh I love a good schedule and I’ve written about this subject before. But trust me on this. Schedule your practice in and you remove the guilt of always feeling like you ‘should be practising’. Turn it into a commitment – you wouldn’t be late for a coffee date with your bestie or a flight to go somewhere exciting, so don’t be late for practice. Show up, get it done, and then reward yourself…

Reward yourself for staying on track

I’m still not very good at this, but there are lots of ways to reward yourself if you are really struggling to get your practice done. Obviously improving your playing is a reward in itself but thinking more short-term – when you hit your practice goal for the week reward yourself with a treat. Fancy hot chocolate with mashmallows and whipped cream? Watching your favourite tv show? Buying some new music? Having a super-long bath with fancy oils and a glass of bubbly? Whatever you fancy, if it’ll make you do your practice, it’ll be worth it.

Set specific targets for each session

Look at what’s coming up in your diary. Any gigs in the next six weeks should be your priority. If you’re just playing for a hobby, why not set yourself a deadline of when you want a piece to be ready for? Your next lesson is an excellent goal to work towards and gosh I miss that weekly lesson to kick my behind into gear and focus my mind on what I need to improve.

Have a goal for each hour of practice. Even if it’s just ‘I want to play the first line of my piece from memory’ or ‘I want to be able to play fluently at x speed with the metronome’ or ‘I want the left hand to be smooth in this section’, set a target so you’re not just playing a piece through and hoping it’ll get better. Focus on the bits you can’t yet play and practice them until you can’t get them wrong (practising until it’s correct is not enough – practice starts when it’s correct). Whatever you’re working on, see if you can play it ten times correctly before moving on – if you make a mistake on the ninth time, it’s back to the start for you (sorry).

So there we have just a few tips on how to improve your practice – if you have any thoughts or anything to add please do comment and let me know what you think. Or at least let me know that I’m not the only musician out there who sometimes doesn’t want to practice!

As ever, thanks very much for reading.

x

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What I’m Practising: November 2016

Here we are in the best month of the year (birthday month) and I think it’s high time for another ‘What I’m Practising’.

I feel very spoilt this month as I have plenty of lovely things to be getting on with, yet it’s not so much that I’m feeling overwhelmed – a good balance.

I’m currently working on some solo repertoire for a gig in Halifax on the 9th of November. Solo gigs are the perfect opportunity to polish up old favourites and maybe challenge yourself to learn something new too. As I’m very keen to have enough music to fill the required time I’ve actually ended up with too many pieces and have had to cut one thing out of my programme. Sorry Grandjany – your fantasie will be getting an airing soon, but not next week. The pieces that made the cut are Watching the Wheat by John Thomas (apologies for the ancient video but check out my tan! Thanks Italy), Bach-Grandjany Etude 12 and Debussy’s Clair de Lune.

The 9th will be one of those wonderful gigs where dinner is provided, and I get to bring along a guest for harp-help and moral support too. It’s highly likely I’ll be posting all about it on Instagram so follow me there for updates.

Next up, an orchestral gig in Todmorden on Saturday, 12th November (also known as the day after my birthday). The rep is Berlioz’s Symphonie Fantastique – one of my absolute favourite orchestral parts. Have a listen to the second movement (the harpy one), conducted here by Leonard Bernstein.

So those are the main players in my practice at the moment. Good times! Other gigs looming are mainly background music and weddings – so that’s nicely under control too.

Thanks for reading and have a lovely November all!

x

 

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What I’m Practising: February 2016

Bach Fugue

After the relative quiet of January, there’s a lot to be getting on with this month.

When I’m practising, I like to look ahead in my diary and see what orchestral gigs are coming up in the next six weeks or so, and then work on the music for those things. Background gigs don’t need specific practice unless there are special requests that I need to learn. Solo recitals will obviously need more than six weeks too.

I like to spend the first half an hour warming up. Typically this will involve exercises and Bach. I’ve been really enjoying revisiting the Fugue I played for my Final Recital back in 2011:

Bach Fugue

I find that starting my practice in this way really helps me focus and get into the zone before getting my teeth into new stuff.

The main concert I’m practising for is in March in Chesterfield. Lots of English music is on the programme, and a few pieces I’ve actually never done before:

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We are playing a different arrangement of Elgar’s Pomp and Circumstance, which feels really strange! I know the traditional harp part so well that it seems weird to learn a different part to the same piece…

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I’ve also been getting back into the habit of daily piano practice

Up until recently the most piano playing I would do is sight-reading through duets with my dad when I visit my parents in York. I still do that of course but I have been loving getting back into regular practice.

I could do with ideas for new repertoire to learn on the piano, as I’ve been doing the same four Czerny etudes for about ten years! Please comment below with suggestions. Am really enjoying clattering through the last movement of Shostakovich’s 2nd Piano Concerto, Rachmaninov’s Prelude in D major and Chopin’s Nocturne in E flat.

I’d like to do more duets, and I’d like some piano lessons. I will investigate and report back next month.

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Music Business Myths #1 ‘you only get one shot’

As a new experiment on this blog, I thought I’d share what I think are some misconceptions about the big bad music world and us mere humans trying to navigate our way around it.

The first one I’d like to address is the idea that, you get one chance to really make your career amazing. It could be a big concert, a presentation, some sort of performance or audition that you feel could be a huge break for you, and if you fail or do less than your best, that’s it – career ruined, minimum wage job for the rest of your life – no more chances.

This, in my opinion, is a mindset that is so unhelpful that we need to put it to bed right now.

Sure, some gigs might lead to more work, better work, with influential people – fantastic! – but if those seemingly ‘more important’ gigs don’t go well, you can recover, you can regroup, you can carry on and learn from failures instead of thinking of all the missed opportunities.

In fact, some of my ‘failures’ have actually taught me way more than the concerts that went well. As musicians, we dedicate our lives to learning, and this is true of freelancing as much as it is true for mastering your instrument.

Having an important string break just before a big concert? We learn to always have spares of everything. Just in case.

Late to an important gig? We learn to leave enough time, even when we think there won’t be traffic.

Solo performance could have been better? We learn to evaluate our performance, see where we went wrong, practice differently, and do better next time.

Instead of looking at all our failures, all the times we went wrong, all the times we didn’t fulfil our potential, let’s look at what went well, what we can change for the better, how we can improve.

A career like this is a journey for us. A huge learning curve. Nobody starts off knowing everything, we learn by experience. If something doesn’t go well, as Taylor would say shake it off and remember tomorrow is a new day. It’s a big world out there, don’t be afraid to jump in and move forward.

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Tax advice for musicians

Having been freelancing for about four years now, I’m about to complete my fourth tax return. It can be daunting when you first graduate but it needn’t be scary. I thought I’d write this post and give some pointers and help.

Please do bear in mind that I am not an accountant or a financial expert, this is just coming from my own experience of doing my taxes for the past few years. There are lots of different ways to do your taxes, this is just what I do on a yearly basis.

The very first thing you need to do (if you are earning money from gigs and private teaching) is register as self-employed. This is straight forward but very important as if you don’t pay your National Insurance contributions, it might affect your state pension. So head on over to the relevant gov.uk page for registering as a sole trader and fill in the forms. Simple!

Ok, done? Now for the slightly time-consuming bit.

You need to keep a record of your business income and outgoings. I like to keep a file for each year, with a divider for each month, fees from a gig? Keep a note. Had to buy food at a gig? Keep the receipt and make a note. I also make sure to file away any contracts, pay & display tickets, restaurant receipts, invoices (sent and received) and anything I receive from HMRC in there, which makes it much easier to compile my accounts for the year.

As a very important side note – in order to complete your tax return you will need a P60 form from any employment you’ve undertaken with an organisation, do you have a part time job in a bar/shop/school? Without these, your accountant won’t be able to complete your tax return and you’re kind of stuck.

Got it? Awesome.

Let’s say you need to drive to your gigs. For each gig you do, make a note of how many miles you have travelled, maybe keep a monthly total.

For the first 10,000 miles of the year, you can charge 45p/mile as travel expenses, anything after that can be charged at 30p/mile. This theoretically covers fuel, insurance, car repairs and servicing, so the mileage should be the only car related expense in your records.

What about music, strings, concert clothes? Yep, keep the receipt in your folder and add it to your expenses when compiling your records. Concert clothes are a little tricky as they should only be for concerts, so if you intend to wear it on a normal day you shouldn’t really include it as an expense. If in doubt, keep the receipt and ask your accountant. I might ask mine about costume jewellery…

Then, at the end of the tax year I make a spreadsheet, one column for the type of expense (e.g. sheet music) then in the column next to it I’ll put the amount to the nearest pound (e.g. £15). A few columns later I’ll do a similar thing for income (e.g. Sheffield Wedding 10th October – £200). Then I’ll go chronologically down the spreadsheet in months.

Each month needs total values for Income, Expenses, PROFIT (Income minus expenses) and Total Miles Travelled.

Once you have compiled all twelve months – give yourself a big pat on the back and pour yourself a glass of something – you can work out your TOTAL Income, Expenses, Profit, Miles Travelled, and Mileage. If you have geeky tendencies like me you can also work out monthly averages by dividing the total values by 12. So you have a monthly income to aim for each month.

Press save, take to your accountant and the rest should sort itself out. You can also put accountants’ fees on your expenses and do bear in mind that many accountants offer cheaper services the earlier you see them. So a tax return in May or June might cost you £100 but leave it till January and you could be staring down the nose of around £250. Being organised pays off!

And that’s it! If there’s anything I haven’t explained very well do let me know in the comments and I’ll try and be more clear.

Also, it’s the time of year when students are graduating! Congratulations to everyone graduating from RNCM in particular – this post is written with you in mind. If you have any questions about life in the ‘big wide world’ so often talked about at college, leave me a comment and I will do my best to help.

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