sheffield Archives » Angelina Egerton

Sounds of the Cosmos II

18 June 2015 2 Comments

On Tuesday 9th June I had a gig in Sheffield, playing with Sheffield’s Rep Orchestra conducted by a good friend of mine – George Morton.

The ‘rep’ we were playing was Gustav Holst’s The Planets as part of Sheffield’s ‘DocFest’ or Documentary Festival.

The concert was in Sheffield’s Crucible Theatre, which was exciting in itself – we used to take school trips there to see plays from time to time. Í’ve played The Planets in Sheffield so many times in the past few years, but this was definitely a special gig.

Behind the orchestra was a big screen, showing visualisations and photographs of outer space, the planets, and different types of star. It was completely fascinating. This visualisation in particular just blew me away.

As is becoming my habit, I arrived in Sheffield an hour and a half early so I grabbed a quick coffee and a pain au chocolat in the nearby cafe Marmadukes – it’s a small but lovely place just around the corner from the theatre. The staff were great and talked me through their extensive choice of coffees. I sat for a while and caught up on some reading (Needful Things by Stephen King) before heading back to the theatre to set up and tune.

We rehearsed for just over an hour then had some time to get ready for the 8.30pm concert. Quite a late start but I heard there were over five hundred people there. There are two harp parts for the Holst and the other harpist was the lovely Alley York:

The performance went really well, we even got a little standing ovation, but as it was a late start it was well after midnight when I finally got home to Manchester. Long day but so worth it.

Career, Music

November Catch Up…

15 January 2015 1 Comment

This blog has been quiet for a while so I thought this week’s post should address that and get you all up to date with the last few months of 2014 – my favourite time of the year for a number of reasons.

For the first gig of November I was playing for a Vintage Wedding Exhibition at the Bowden Rooms in Altrincham with the lovely flautist Anna Rosa Mari.

We definitely kept it professional (profesh??) at all times:

Next on the agenda was Bonfire Night – a rather weird claim to fame I can make is that I went to the same school as Guy Fawkes. I think everyone who went to St. Peter’s School in York has to mention this at some point during November 5th.

Now then, I am a tall girl, but in the huge crowd that gathered in Platt Fields Park in Manchester to watch the bonfire all I could really see was the fire, on the screens of the smartphones of the people around me. I don’t get why you would take a picture or a video of a big fire? Just enjoy it guys! Anyway, after the fireworks we rushed off for a Rusholme curry on the way home, the perfect way to warm up after standing outside for most of the evening. I think this needs to be our new Bonfire Night tradition.

The day after Bonfire Night is my Dad’s birthday so we decided to make the drive over to York to surprise him – these are appropriate for a man in his early eighties right??

The following weekend I had three gigs! Three gigs in two days! The first was a Fauré Requiem in Doncaster in honour of Remembrance Day:

Then on Sunday I was playing for a wedding in Bury:

This was then followed by another Fauré in St. Ann’s Church in Manchester.

I’m sure you’ll gather that this weekend was slightly crazy – it’s so good to be busy though.

On Tuesday 11th November it was my birthday so I decided to visit Dough in the Northern Quarter with a few friends, the food was amazing and we had a really lovely evening:

I also received this beautiful necklace from Marten, I don’t think I’ve taken it off since then! I love it:

The rest of the birthday week could have been a little more pleasant to be honest – it involved a dentist visit and spending a lot of money on my car to get it through its MOT. But enough of that! Let’s move swiftly on to the 22nd of November. I had a gig in Sheffield (my favourite) to play the Debussy Nocturnes and Holst’s The Planets. This gig was rather exciting as the other harpist was Calum Macleod and we could fit both harps in his van! So that meant no driving for me! I could definitely get used to that.

I’d never played the Nocturnes before, they are amazing – especially the third movement Sirènes, you can actually hear the mysterious song of the Sirens over the swirling sound of the sea and the waves – it’s breathtaking. The Planets will always be a favourite of mine too, the violence of Mars, the beauty of Venus, the mystery of Neptune, and Jupiter, the tune of which used to be a favourite hymn at school (who remembers the classic 295 ‘I Vow to Thee my Country’?)

Fast forward to the end of the month, the final gig of November was at Leeds Uni, playing Stravinsky’s Symphony in three movements. This piece is very cool and I suggest you have a listen if you’re unfamiliar. There’s lots of harp and the part is substantial so it’s a really good project to get stuck into.

This post was originally going to be November and December but it’s become so big I’m going to have to split it into two separate posts. Stay tuned for more craziness in December’s catch-up post.

Career, Music

Getting up to date…

7 March 2014 2 Comments

As the title would suggest, this post will hopefully bring my blog up to date with the various gigs I’ve been doing since Valentine’s Day.

Almost immediately after V-day, I drove up to Edinburgh with fellow CLOUDS member Elfair Dyer to rehearse for a few days with Esther Swift (for more information about CLOUDS click here).

We are currently learning a new trio piece for the International Harp Festival in Caernarfon, North Wales, in April. The piece is a new commission given to Esther especially for the festival. As usual, none of it is written down so we have to actually see each other to learn the music.

I am so excited about the new piece! The theme is mythology so there is a spooky story to go alongside the piece. We get to use loop pedals! The whole piece is quite dark in nature so it’s a world away from what is normally expected of a harp trio (clue: we won’t be wearing ball gowns). The sound is much edgier and more challenging.

I’m happy to say we can now play through the whole thing! We have more rehearsals coming up soon to polish everything off (and to make sure we actually know what we are doing). So fingers crossed the performance will be a success!

A few days after getting back from Scotland I had a very last minute gig. Background music for a Wake. This type of gig isn’t easy (it’s easier than a funeral service though), but the list of songs they requested were very fitting and, actually, I’m going to keep using that playlist for other background gigs too.

The very same evening I gave a talk at the Women’s Institute in Mellor, just to the south of Manchester. It’s slightly in the middle of nowhere, hurray for unlit, snakey roads with only enough room for one car.

I was a little nervous about this talk… I didn’t know if I could fill the allotted time but luckily, with playing, I was fine, plus the ladies asked lots of questions and genuinely seemed interested in the harp and the different types of work that constitute the life of a freelance musician.

The next gig I had was the following weekend, playing for a wedding reception in Sheffield. My Sheffield gigs are notorious for being stressful, I always get lost, but this one was ok. Not perfect but I found somewhere to park eventually.

The reception was in one of the University buildings.

There was a lot of champagne flowing:

And, check out the interesting table plan…

Anyway, this seemed to be a wedding of people who win at life. Everyone was beautiful and gracious (getting louder towards the end… I blame the champagne) but generally a very classy affair.

Last Thursday lunchtime I went to watch the RNCM Harp Ensemble’s lunchtime concert at the Manchester School of Art – a lovely space for a concert like this…

The photo doesn’t do it justice, trust me it looked lovely. I’ve been out of college for nearly three full years now (can’t believe it) and it’s still a little strange to see a harp ensemble concert that I’m not involved in. I mean it was refreshing in a way – the harp department had been setting up since before 9am! I remember back to my time in college and just loving the feeling of being part of such an amazing team.

Finally, we come to the gig I supposedly had last Friday, now I can’t say too much about this as I’m currently obtaining legal advice from the Musicians Union. But just to warn you, when it’s all sorted out there will be much ranting!

So that brings us just about up to date. I hope you all are enjoying the spring-like weather as much as I am! If you have any feedback please do leave me a comment.

Career, Music, Uncategorized

Mahler 2

23 June 2012 1 Comment

Last weekend I had a gig in Sheffield, with Sheffield Symphony Orchestra. The only piece on the programme was Mahler’s Second Symphony. Now there are two harp parts for this epic piece, however, it seems I was the only harpist that could be booked for this day. Mahler’s writing for harp (that I have experienced) is lovely. Sometimes it’s quite sparse, but you can hear 95% of the notes. And that, for what is usually an instrument buried underneath more forceful instruments – looking at you, brass and percussion – is unusual. But it left me in a little pickle. Both harp parts are important, how on earth do I set about putting them both in?

Should have got double the fee in my opinion but apparently that’s not how it works.

Anyway, there were a couple of places that I had both parts on my stand and was piecing it together in what I hope was a convincing manner.

The Symphony is nick-named ‘The Resurrection’, the fourth movement includes a solo voice, and the fifth includes an entire chorus – I’ll include the English translation of the text, it really is as uplifting as the orchestration:

Rise again, yes, rise again,

Will you My dust,

After a brief rest!

Immortal life! Immortal life

Will He who called you, give you.

To bloom again were you sown!

The Lord of the harvest goes

And gathers in, like sheaves,

Us together, who died.

—Friedrich Klopstock

O believe, my heart, O believe:

Nothing to you is lost!

Yours is, yes yours, is what you desired

Yours, what you have loved

What you have fought for!

O believe,

You were not born for nothing!

Have not for nothing, lived, suffered!

What was created

Must perish,

What perished, rise again!

Cease from trembling!

Prepare yourself to live!

O Pain, You piercer of all things,

From you, I have been wrested!

O Death, You masterer of all things,

Now, are you conquered!

With wings which I have won for myself,

In love’s fierce striving,

I shall soar upwards

To the light which no eye has penetrated!

Its wing that I won is expanded,

and I fly up.

Die shall I in order to live.

Rise again, yes, rise again,

Will you, my heart, in an instant!

That for which you suffered,

To God will it lead you!

—Gustav Mahler

I must say a massive well done to Dane Lam – the conductor. He did a marvelous job of this epic piece – I would imagine that conducting Mahler 2 is a big dream of any aspiring conductor.

While I am dishing out mentions, I must say a big thank you to Simon Passmore. Not only did he keep me company in the car, he got out in the rain to reserve me the most ideal parking space, bought me lunch, dinner, and snacks (I think he’s trying to fatten me up) and just generally was a massive help on the day. Thank you!